On this disc the service has been recreated by soprano Barbara Zanichelli, Ensemble San Felice and Federico Bardazzi.
Lectio II by Hildegard of Bingen Performer: Barbara Zanichelli (Soprano) Conductor: Federico Bardazzi Orchestra/Ensemble: Ensemble San Felice, Symphonia Harmoniae Caelestium Revelationum Period: Medieval.
O orzchis Ecclesia has been recorded unaccompanied at least three times, including Barbara Thorntons superb version.
The antiphons O coruscans, O pulchre facies, and Nunc gaudeant are also available unaccompanied.
Revered as a visionary during her own lifetime, she set her poems to music and also wrote works on medicine and natural history.Hildegard's music on disc has tended to be presented in recital form, rather divorced from its liturgical context.O coruscans lux by Hildegard of Bingen, performer: Barbara Zanichelli (Soprano conductor: Federico Bardazzi.Lectio III by Hildegard of Bingen Performer: Barbara Zanichelli (Soprano) Conductor: Federico Bardazzi Orchestra/Ensemble: Ensemble San Felice, Symphonia Harmoniae Caelestium Revelationum.The priests/monks would have pray only in Latin (though speak their first languages).Genres: Biography, drama, romance, certificate: 12, see all certifications parents Guide: View content advisory edit.The singers, especially Zanichelli, project the music firmly and stylishly in a venue that surrounds the singing with warmth.10981179, German abbess, mystic, writer, and composer.The psalms are sung by a small casino schweiz wiki chorus, while a small ensemble (harp, vielle, portative organ) accompanies unobtrusively.Diffusa est gratia in labiis tuis by Hildegard of Bingen Performer: Barbara Zanichelli (Soprano) Conductor: Federico Bardazzi Orchestra/Ensemble: Ensemble San Felice, Symphonia Harmoniae Caelestium Revelationum.
A CD-ROM is included in the case to provide the texts and Italian translations.
Though the performers include a small choir of female voices, a gothic harp, vielle and portative organ, the performance style is in fact quite austere.
The booklet talks about seeing the two sides of Hildegard.The monks and nuns at the convent become a kind of family, offering both confidants and enemies.Period: Medieval, written: 12th Century; Germany.Here the instruments are used quite discreetly with the voices generally unaccompanied.So the attraction of this disc is the exceptional quality of the chanting style and the format of a nocturn.This disc makes a good introduction to Hildegards music if you are interested in her as a writer of liturgical pieces.It is thought that Hildegard may have used instruments in services even though frowned upon by the authorities.I am not quite sure that she makes enough of the words.